RETROSPECTIVES AND SHOWCASES




The 10th edition of Olhar de Cinema – Brazil
FOCUS on Kamal Aljafari


https://www.olhardecinema.com.br/mostra-foco-kamal-aljafari/?fbclid=IwAR1Dq6m2KjZJGPs0i4BnwHivlAyH3T24L6BT6vylKGLFnPuy7UEfF6HGutI

https://www.youtube.com/watch?v=7E_1mGmMxmw



RECOLLECTIVE RESISTANCE

London Short Film Festival 2019


https://archive.shortfilms.org.uk/lsff2020/events/2020-01-19-recollective-resistance-part-1
https://archive.shortfilms.org.uk/lsff2020/events/2020-01-19-recollective-resistance-part-2

Fragment of a filmmaker's work: Kamal Aljafari - Ardèche Images 2016

Les États généraux du film documentaire Lussas 

Ten years ago, we screened at Lussas the first feature-length film by Kamal Aljafari, a Palestinian filmmaker ... Interview with Kamal Aljafari by Christophe Postic.

http://www.lussasdoc.org/etats-generaux,2016,539.html
http://www.lussasdoc.org/etats-generaux,2016,539.html?locale=en_US
http://www.lussasdoc.org/etats-generaux-liste,2016,539.html


Conversations in Contemporary Art presents Kamal Aljafari

We are proud to bring filmmaker Kamal Aljafari to the stage for the second talk in the Conversations in Contemporary Art 2015-2016 winter season.


https://www.concordia.ca/cuevents/finearts/studio-arts/2016/01/28/conversations-in-contemporary-art-presents-kamal-aljafari.html

Retrospective Kamal Aljafari
Cinémathèque québécoise
Monteal 2016


https://www.cinematheque.qc.ca/fr/programmation/projections/cycle/kamal-aljafari

Offscreen

Magazine featuring

The work of Kamal Aljafari

Cinema as a country

The cinematic act as reappropriation of a contested territory in Kamal Aljafari’s Recollection


by Nour Ouayda  Volume 20, Issue 10 / October 2016
https://offscreen.com/view/cinema-as-a-country


Rétrospective Kamal Aljafari
LE CINÉMA COMME PAYS

Ou l’acte cinématographique comme réappropriation d’un territoire contesté dans "Recollection"

https://www.horschamp.qc.ca/spip.php?article668



The Circulation of Palestinian Images

by Viviane Saglier  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/the-circulation-of-palestinian-images


Rétrospective Kamal Aljafari
LA CIRCULATION DES IMAGES PALESTINIENNES


https://www.horschamp.qc.ca/spip.php?article667


Appropriate, Re-mix, Erase, Zoom-in:
The Transformative Power of Film-Making in Kamal Aljafari’s Recollection

by Farah Atoui  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/transformative-power-in-recollection


Rétrospective Kamal Aljafari
S’APPROPRIER, RE-MONTER, EFFACER, S’APPROCHER

La puissance de transformation du cinéma dans Recollection de Kamal Aljafari
par Farah Atoui


https://www.horschamp.qc.ca/spip.php?article662


Letter for an aborted interview

Kamal Aljafari Retrospective

by Nour Ouayda  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/letter-for-an-aborted-interview


Rétrospective Kamal Aljafari
LETTRE POUR UNE ENTREVUE AVORTÉE

par Nour Ouayda


https://www.horschamp.qc.ca/spip.php?article665


CICA is proud to partner with the DHC/ART Foundation for Contemporary Art,
the department of Art History, and the Mel Hoppenheim School of Cinema
to present Kamal Aljafari


https://conversationsincontemporaryart.tumblr.com/post/137348551496/kamal-aljafari



DHC/ART Foundation for Contemporary Art in association with Conversations in Contemporary Art (CICA), the Department of Art History Concordia University, the Mel Hoppenheim School of Cinema Concordia University


https://fondation-phi.org/en/event/kamal-aljafari/


Ibraaz:
Kamal Aljafari: A Recollection

Hamid Dabashi010_06 / 20 November 2016


https://www.ibraaz.org/essays/168


Recollections

Notes on a film by Kamal Aljafari
Adania Shibli010 / 8 April 2017


https://www.ibraaz.org/reviews/130

Echo Park Film Center L.A.


THE NEW PALESTINIAN IMAGE: CINEMATIC WORK BY KAMAL ALJAFARI

http://www.echoparkfilmcenter.org/events/the-new-palestinian-images-cinematic-work-by-kamal-aljafari/



FUSE MAGAZINE Spring 2013

The Credits of My Next Movie Kamal Aljafari

https://e-artexte.ca/id/eprint/25211/1/FUSE_36-2.pdf


HARVARD FILM ARCHIVE 2010


https://harvardfilmarchive.org/programs/an-evening-with-kamal-aljafari

Featured artists at 
Robert Flaherty Film Seminar 2009


https://theflaherty.org/the-flaherty-seminar/past-seminars/seminar-2009
https://theflaherty.org/the-flaherty-seminar/past-seminars/flaherty-seminar-2009/2009-artists
https://caamedia.org/blog/2009/07/12/dispatch-from-the-55th-robert-flaherty-film-seminar/

تدعوكم مؤسسة عبد المحسن القطان ومركز خليل السكاكيني الثقافي
لحضور سلسلة عروض أفلام المخرج الفلسطيني كمال جعفري،
والتي ستعرض في عليّة مركز خليل السكاكيني الثقافي


2017


http://www.lailnhar.com/event/19044


WORKSHOPS AND MASTERCLASSES 


Short Filmmaking Lab with Kamal Aljafari


https://www.dohafilminstitute.com/education/2016/short-filmmaking-lab-with-kamal-aljafari


Concordia University Fine Arts


https://mfaconcordia.tumblr.com/post/137634388997


Kamal Aljafari at Columbia Universty New York City


https://centerforpalestinestudies.squarespace.com/cps-events-spring-2016-events/2016/2/22/recollection
https://teens.artsconnection.org/events/masterclass-by-kamal-aljafari-in-conversation-with-hamid-dabashi/


Lecture Theatre, SOAS University, Bloomsbury, WC1H 0XG

18th November 2020- Film Masterclass with Kamal Aljafari


https://www.palestinefilm.org.uk/18th-november-kamal-aljafari-masterclass




ENGAGEMENTS WITH THE WORK OF KAMAL ALJAFARI


Quien-arrojo-la-piedra?

Melisa Liebenthal y Sofía Mele (2020, 4’)

Un ensayo audiovisual sobre An Unusual Summer de Kamal Aljafari (Palestina, Alemania, 2020)
An Unusual Summer de Kamal Aljafari es una película hecha exclusivamente a partir de los registros de una cámara de seguridad ubicada en el barrio árabe de Ramla (también conocido como “el Ghetto”), Israel, durante el verano de 2006. Una cámara de vigilancia está dotada de inteligencia artificial y sirve tanto para prevenir delitos como para identificar culpables. La imagen de una persona queda registrada y si la reconocen la atrapan. ¿Pero cómo la reconocen? ¿Por la cara? ¿Por la forma de caminar? ¿Por la ropa? ¿Por el pelo? Toda la responsabilidad recae sobre la imagen, ¿pero se puede confiar en ella?

https://festifreak.com/16ff/quien-arrojo-la-piedra/?fbclid=IwAR0QcAVwolgQPi9Gkw-yNCHBrKkmPm6rLAyJp90EuY0GkhmWD7raiMvVDWY






The extract of the week n ° 19:Port of Memory (Kamal Aljafari / 2010)

The excerpt of the week is a series presented by Zoom Out (zoom-out.ca). She invites film friends to produce a short text that evokes a favorite moment in their personal film history.
2020
Text: Nour Ouayda
Editing: Olivier Godin
Voice: Rose-Maïté Erkoreka
Duration: 2'29 ''
License: Creative Commons (CC) BY-NC-ND





The Silent Chorus of Limestone: Non-human Witnesses to Intimacy, Creation, and Destruction in Settler Colonialism


Interdisciplinary artist Lamia Abukhadra delivers a meditation on settler colonial violence that cuts between multiple perspectives—giving voice to limestone “witness stones” as a temporary archive, material witness, and intimate participant in the creation and destruction of Palestinian life.
Lamia Abukhadra April 10, 2020


https://www.mnartists.org/article/silent-chorus-limestone-non-human-witnesses-intimacy-creation-and-destruction-settler?fbclid=IwAR35bCHtjTgvCtJKdV5RvTzk5P_a2wAkTLjSfsyPiohihOibt-r7aTZ3km8




Kamal Aljafari © 2021