RETROSPECTIVES AND SHOWCASES




The 10th edition of Olhar de Cinema Brazil, October 2021
FOCUS on Kamal Aljafari


This year’s Focus Section shines the spotlight on the work of Palestinian filmmaker Kamal Aljafari, whose latest feature film, An Unusual Summer (2020, 80′), makes its Brazilian debut at the 10th Olhar de Cinema after being shown at several renowned film festivals around the world.

To what extent can the real and figural materiality of an image become an abstraction or, potentially more, a spectrum? The question evokes both aesthetic and ethical problems which, in Kamal Aljafari’s cinema, converge towards a territory as real as it is abstract and phantasmagorical: Palestine. While Aljafari’s cinema stems from the observation of an everyday life that not only coexists within, but inhabits ruin itself, he subsequently transforms these images into trails, echoes, smudges, blurs and, in his most radical recent films, pixels uncapturable by notions of the real. The art of transforming the harrowing materiality of broken walls and destroyed terraces of an invaded territory into a disembodied immateriality is the art of reconfiguring Palestine as a nation, which through moving images ultimately surpasses the forces that imprison and destroy that space. An act of defiance. In Aljafari’s cinema, Palestine becomes a shadow that runs faster than the body from which it emanates.

Amidst fragments of memories and images of a people beset with the insignia of erasure, Kamal Aljafari’s cinema presents chapters of an unfinished story, all at once personal and communal. The Palestinian director and artist, born in the city of Ramla, in 1972, and based in Germany for years, has created a poetic filmography marked by restlessness, devising an elaborate mise-en-scene with different modes of resistance against the systematic attempts to destroy subjects, places, and the symbolic field that attest to a Palestinian existence. Over the course of his almost two-decade career, the filmmaker has undertaken a thorough investigation into the forms and politics of images amidst their power games, about what is seen and what has been made invisible, among material and memorial ruins interpolated in the editing room.

His oeuvre, comprising four feature films which make up this year’s Focus Section and three short films, is largely affiliated with the world of documentary, although it rallies a variety of different procedures and formats in dialogue with the visual arts as much as the essay and experimental universe. One of the hallmarks of this process lies in the manipulation of images in an attempt to extrapolate their figurative nature – such as the use of domestic surveillance
footage from a street camera in his latest feature film, An Unusual Summer (2020, 80′), whose Brazilian premiere will happen during this year’s Olhar de Cinema. From the interviews in his first short film Visit Iraq (2003, 23′), filmed in Geneva, to the fictional venture in Port of Memory (Minaa Al Zakira, 2009, 62’), which explores the gentrification of the city of Jaffa, through the re-editing of film archives in Recollection (Istiaada, 2015, 70’) as it strives to occupy these forbidden territories, each work updates and reconfigures the filmmaker’s path, which exists alongside his family’s trajectory, creating other times and affective dispositions through sounds and images. As in The Roof (Al Sateh, 2006, 63′), the director’s debut feature film, whose title refers to the never-finished ceiling of his parents’ house, the films in this year’s Focus section reveal a never-ending community building process, a sharing rooted in the typical movements of everyday life – whether a house, a street, or a neighborhood – which unites people and remembrances, both present and absent.

This year’s Focus Section will also feature a Open Conversation with Kamal Aljafari, mediated by Carla Italiano and Carol Almeida. The three short films that complete the section – Visit Iraq (2003, 23′), Balconies (2007, 8′), and It’s a long way from Amphioxus (2019, 15′) – will be available on the Olhar de Cinema Youtube channel during the festival.


https://www.olhardecinema.com.br/mostra-foco-kamal-aljafari/?fbclid=IwAR1Dq6m2KjZJGPs0i4BnwHivlAyH3T24L6BT6vylKGLFnPuy7UEfF6HGutI

https://www.youtube.com/watch?v=7E_1mGmMxmw



RECOLLECTIVE RESISTANCE

London Short Film Festival 2019


https://archive.shortfilms.org.uk/lsff2020/events/2020-01-19-recollective-resistance-part-1 https://archive.shortfilms.org.uk/lsff2020/events/2020-01-19-recollective-resistance-part-2

http://www.lussasdoc.org/etats-generaux,2016,539.html
http://www.lussasdoc.org/etats-generaux,2016,539.html?locale=en_US
http://www.lussasdoc.org/etats-generaux-liste,2016,539.html


Conversations in Contemporary Art presents Kamal Aljafari

We are proud to bring filmmaker Kamal Aljafari to the stage for the second talk in the Conversations in Contemporary Art 2015-2016 winter season.


https://www.concordia.ca/cuevents/finearts/studio-arts/2016/01/28/conversations-in-contemporary-art-presents-kamal-aljafari.html

Retrospective Kamal Aljafari
Cinémathèque québécoise
Monteal 2016


https://www.cinematheque.qc.ca/fr/programmation/projections/cycle/kamal-aljafari

Offscreen

Magazine featuring

The work of Kamal Aljafari

Cinema as a country

The cinematic act as reappropriation of a contested territory in Kamal Aljafari’s Recollection


by Nour Ouayda  Volume 20, Issue 10 / October 2016
https://offscreen.com/view/cinema-as-a-country


Rétrospective Kamal Aljafari
LE CINÉMA COMME PAYS

Ou l’acte cinématographique comme réappropriation d’un territoire contesté dans "Recollection"

https://www.horschamp.qc.ca/spip.php?article668



The Circulation of Palestinian Images

by Viviane Saglier  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/the-circulation-of-palestinian-images


Rétrospective Kamal Aljafari
LA CIRCULATION DES IMAGES PALESTINIENNES


https://www.horschamp.qc.ca/spip.php?article667


Appropriate, Re-mix, Erase, Zoom-in:
The Transformative Power of Film-Making in Kamal Aljafari’s Recollection

by Farah Atoui  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/transformative-power-in-recollection


Rétrospective Kamal Aljafari
S’APPROPRIER, RE-MONTER, EFFACER, S’APPROCHER

La puissance de transformation du cinéma dans Recollection de Kamal Aljafari
par Farah Atoui


https://www.horschamp.qc.ca/spip.php?article662


Letter for an aborted interview

Kamal Aljafari Retrospective

by Nour Ouayda  Volume 20, Issue 10 / October 2016


https://offscreen.com/view/letter-for-an-aborted-interview


Rétrospective Kamal Aljafari
LETTRE POUR UNE ENTREVUE AVORTÉE

par Nour Ouayda


https://www.horschamp.qc.ca/spip.php?article665


CICA is proud to partner with the DHC/ART Foundation for Contemporary Art,
the department of Art History, and the Mel Hoppenheim School of Cinema
to present Kamal Aljafari


https://conversationsincontemporaryart.tumblr.com/post/137348551496/kamal-aljafari



DHC/ART Foundation for Contemporary Art in association with Conversations in Contemporary Art (CICA), the Department of Art History Concordia University, the Mel Hoppenheim School of Cinema Concordia University


https://fondation-phi.org/en/event/kamal-aljafari/


Ibraaz:
Kamal Aljafari: A Recollection

Hamid Dabashi010_06 / 20 November 2016


https://www.ibraaz.org/essays/168


Recollections

Notes on a film by Kamal Aljafari
Adania Shibli010 / 8 April 2017


https://www.ibraaz.org/reviews/130

Echo Park Film Center L.A.


THE NEW PALESTINIAN IMAGE: CINEMATIC WORK BY KAMAL ALJAFARI

http://www.echoparkfilmcenter.org/events/the-new-palestinian-images-cinematic-work-by-kamal-aljafari/



FUSE MAGAZINE Spring 2013

The Credits of My Next Movie Kamal Aljafari

https://e-artexte.ca/id/eprint/25211/1/FUSE_36-2.pdf


HARVARD FILM ARCHIVE 2010


https://harvardfilmarchive.org/programs/an-evening-with-kamal-aljafari

Featured artists at 
Robert Flaherty Film Seminar 2009


https://theflaherty.org/the-flaherty-seminar/past-seminars/seminar-2009 https://theflaherty.org/the-flaherty-seminar/past-seminars/flaherty-seminar-2009/2009-artistshttps://caamedia.org/blog/2009/07/12/dispatch-from-the-55th-robert-flaherty-film-seminar/

تدعوكم مؤسسة عبد المحسن القطان ومركز خليل السكاكيني الثقافي
لحضور سلسلة عروض أفلام المخرج الفلسطيني كمال جعفري،
والتي ستعرض في عليّة مركز خليل السكاكيني الثقافي


2017


http://www.lailnhar.com/event/19044


WORKSHOPS AND MASTERCLASSES 


Short Filmmaking Lab with Kamal Aljafari


https://www.dohafilminstitute.com/education/2016/short-filmmaking-lab-with-kamal-aljafari


Concordia University Fine Arts


https://mfaconcordia.tumblr.com/post/137634388997


Kamal Aljafari at Columbia Universty New York City


https://centerforpalestinestudies.squarespace.com/cps-events-spring-2016-events/2016/2/22/recollection
https://teens.artsconnection.org/events/masterclass-by-kamal-aljafari-in-conversation-with-hamid-dabashi/


Lecture Theatre, SOAS University, Bloomsbury, WC1H 0XG

18th November 2020- Film Masterclass with Kamal Aljafari


https://www.palestinefilm.org.uk/18th-november-kamal-aljafari-masterclass




ENGAGEMENTS WITH THE WORK OF KAMAL ALJAFARI


Quien-arrojo-la-piedra?

Melisa Liebenthal y Sofía Mele (2020, 4’)

Un ensayo audiovisual sobre An Unusual Summer de Kamal Aljafari (Palestina, Alemania, 2020)
An Unusual Summer de Kamal Aljafari es una película hecha exclusivamente a partir de los registros de una cámara de seguridad ubicada en el barrio árabe de Ramla (también conocido como “el Ghetto”), Israel, durante el verano de 2006. Una cámara de vigilancia está dotada de inteligencia artificial y sirve tanto para prevenir delitos como para identificar culpables. La imagen de una persona queda registrada y si la reconocen la atrapan. ¿Pero cómo la reconocen? ¿Por la cara? ¿Por la forma de caminar? ¿Por la ropa? ¿Por el pelo? Toda la responsabilidad recae sobre la imagen, ¿pero se puede confiar en ella?

https://festifreak.com/16ff/quien-arrojo-la-piedra/?fbclid=IwAR0QcAVwolgQPi9Gkw-yNCHBrKkmPm6rLAyJp90EuY0GkhmWD7raiMvVDWY






The extract of the week n ° 19:Port of Memory (Kamal Aljafari / 2010)

The excerpt of the week is a series presented by Zoom Out (zoom-out.ca). She invites film friends to produce a short text that evokes a favorite moment in their personal film history.
2020
Text: Nour Ouayda
Editing: Olivier Godin
Voice: Rose-Maïté Erkoreka
Duration: 2'29 ''
License: Creative Commons (CC) BY-NC-ND





The Silent Chorus of Limestone: Non-human Witnesses to Intimacy, Creation, and Destruction in Settler Colonialism



https://www.mnartists.org/article/silent-chorus-limestone-non-human-witnesses-intimacy-creation-and-destruction-settler?fbclid=IwAR35bCHtjTgvCtJKdV5RvTzk5P_a2wAkTLjSfsyPiohihOibt-r7aTZ3km8